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A Song That Cozy Cole Play Performance Art Gain Acceptance in the Society

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American jazz vocaliser and bandleader

Cab Calloway
Calloway by William Gottlieb, 1947

Calloway by William Gottlieb, 1947
Background information
Birth proper name Cabell Calloway Iii
Built-in (1907-12-25)December 25, 1907
Rochester, New York, U.S.
Died November 18, 1994(1994-11-18) (aged 86)
Hockessin, Delaware, U.S.
Genres
  • Jazz
  • blues
  • swing
  • big ring
Occupation(south)
  • Singer
  • songwriter
  • dancer
  • bandleader
  • conductor
  • player
Years active 1927–1994

Musical artist

Cabell Calloway Three (December 25, 1907 – Nov eighteen, 1994) was an American jazz singer, songwriter, dancer, bandleader, usher and actor. He was associated with the Cotton Guild in Harlem, where he was a regular performer and became a popular singer of the swing era. His niche of mixing jazz and vaudeville won him acclamation during a career that spanned over 65 years.[i]

Calloway was a master of energetic scat singing and led one of the most popular dance bands in the The states from the early 1930s to the late 1940s. His ring included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus "Doctor" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole.[two]

Calloway had several hit records in the 1930s and 1940s, condign known as the "Hi-de-ho" man of jazz for his nearly famous vocal, "Minnie the Moocher", originally recorded in 1931. He reached the Billboard charts in 5 consecutive decades (1930s–1970s).[iii] Calloway also made several stage, motion-picture show, and telly appearances until his death in 1994 at the age of 86. He had roles in Stormy Weather (1943), Porgy and Bess (1953), The Cincinnati Kid (1965), and Hello Dolly! (1967). His career saw renewed interest when he appeared in the 1980 film The Dejection Brothers.

Calloway was the beginning African-American musician to sell a million records from a single and to have a nationally syndicated radio bear witness.[4] In 1993, Calloway received the National Medal of Arts from the U.s. Congress.[5] He posthumously received the Grammy Lifetime Accomplishment Award in 2008. His song "Minnie the Moocher" was inducted into the Grammy Hall of Fame in 1999, and added to the Library of Congress' National Recording Registry in 2019.[half dozen] He is besides inducted into the Big Band and Jazz Hall of Fame and the International Jazz Hall of Fame.

Early life [edit]

Calloway was born in Rochester, New York, on Christmas Twenty-four hour period in 1907 to an African American family.[7] His female parent, Martha Eulalia Reed, was a Morgan State Higher graduate, instructor, and church organist. His father, Cabell Calloway Jr., graduated from Lincoln University of Pennsylvania in 1898,[eight] [nine] and worked equally a lawyer and in real estate. The family moved to Baltimore, Maryland, when Calloway was xi.[10] Soon after, his father died and his female parent remarried to John Nelson Fortune.[11]

Calloway grew up in the Westward Baltimore neighborhood of Druid Hill. He oftentimes skipped school to earn money by selling newspapers, shining shoes, and cooling down horses at the Pimlico racetrack where he developed an interest in racing and betting on equus caballus races.[12] [thirteen] Later on he was caught playing dice on the church building steps, his mother sent him to Downingtown Industrial and Agricultural Schoolhouse in 1921, a reform school run by his female parent'southward uncle in Chester County, Pennsylvania.[thirteen]

Calloway resumed hustling when he returned to Baltimore and worked every bit a caterer while he improved his studies in school.[13] He began individual vocal lessons in 1922, and studied music throughout his formal schooling. Despite his parents' and teachers' disapproval of jazz, he began performing in nightclubs in Baltimore. His mentors included drummer Chick Webb and pianist Johnny Jones. Calloway joined his high school basketball team, and in his senior twelvemonth he started playing professional basketball game with the Baltimore Athenians, a team in the Negro Professional Basketball League.[14] He graduated from Frederick Douglass High Schoolhouse in 1925.[ten] [xv]

Music career [edit]

1927–1929: Early on career [edit]

In 1927, Calloway joined his older sis, Blanche Calloway, on bout for the popular black musical revue Plantation Days.[xi] His sis became an accomplished bandleader before him, and he often credited her as his inspiration for entering testify business concern.[xvi] Calloway'south mother wanted him to exist a lawyer similar his father, so in one case the tour ended he enrolled at Crane College in Chicago, only he was more interested in singing and entertaining. While at Crane he refused the opportunity to play basketball game for the Harlem Globetrotters to pursue a singing career.[13]

Calloway spent almost of his nights at Chicago's Dreamland Café, Sunset Buffet, and Gild Berlin, performing as a singer, drummer, and master of ceremonies.[11] At Dusk Buffet, he was an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style. He left schoolhouse to sing with the Alabamians band.[17]

In 1929, Calloway relocated to New York with the ring. They opened at the Savoy Ballroom on September 20, 1929. When the Alabamians broke upwards, Armstrong recommended Calloway as a replacement vocaliser in the musical revue Connie's Hot Chocolates.[11] He established himself as a singer singing "Ain't Misbehavin'" by Fats Waller.[eighteen] While Calloway was performing in the revue, the Missourians asked him to front their ring.[19]

1930–1955: Success [edit]

In 1930, the Missourians became known as Cab Calloway and His Orchestra. At the Cotton Club in Harlem, New York, the ring was hired in 1931 to substitute for the Duke Ellington Orchestra while Ellington's band was on tour. Their popularity led to a permanent position. The band also performed twice a week for radio broadcasts on NBC. Calloway appeared on radio programs with Walter Winchell and Bing Crosby and was the starting time African American to have a nationally syndicated radio testify.[4] During the depths of the Great Depression, Calloway was earning $50,000 a year at 23 years old.[xviii]

In 1931, Calloway recorded his nigh famous song, "Minnie the Moocher." Information technology was the first single record by an African American to sell a 1000000 copies.[four] Calloway performed the vocal and 2 others, "St. James Infirmary Blues" and "The Sometime Man of the Mountain," in the Betty Boop cartoons Minnie the Moocher (1932), Snow-White (1933), and The Onetime Human of the Mountain (1933). Calloway performed voice-over for these cartoons, and through rotoscoping, his trip the light fantastic toe steps were the footing of the characters' movements.[20]

As a upshot of the success of "Minnie the Moocher", Calloway became identified with its chorus, gaining the nickname "The Hi De Ho Human".[21] He performed in the 1930s in a series of short films for Paramount. Calloway's and Ellington'southward groups were featured on film more than whatever other jazz orchestras of the era. In these films, Calloway tin be seen performing a gliding backstep dance motility, which some observers accept described as the precursor to Michael Jackson's moonwalk. Calloway said 50 years later, "information technology was called The Buzz back then."[22] The 1933 picture International House featured Calloway performing his archetype song, "Reefer Human being", a melody about a man who smokes marijuana.[23] Fredi Washington was cast as Calloway'south dearest interest in Cab Calloway's Hi-De-Ho (1934).[24] Lena Horne made her motion picture debut as a dancer in Cab Calloway'due south Jitterbug Party (1935).[25]

Calloway fabricated his first Hollywood feature motion-picture show appearance contrary Al Jolson in The Singing Kid (1936). He sang several duets with Jolson, and the film included Calloway's ring and 22 Cotton Club dancers from New York.[26] According to film critic Arthur Knight, the creators of the film intended to "erase and celebrate boundaries and differences, including nigh emphatically the color line...when Calloway begins singing in his characteristic style – in which the words are tools for exploring rhythm and stretching tune – it becomes clear that American culture is changing around Jolson and with (and through) Calloway".[27] [28] : lookout

Calloway's band recorded for Brunswick and the ARC dime-store labels (Banner, Cameo, Conqueror, Perfect, Melotone, Imprint, Oriole) from 1930 to 1932, when he signed with RCA Victor for a year. He returned to Brunswick in late 1934 through 1936, then moved to Variety, run past his manager, Irving Mills. He remained with Mills when the characterization collapsed during the Depression. Their sessions were continued by Vocalion through 1939 and OKeh through 1942. Afterward an AFM recording ban due to the 1942–44 musicians' strike, Calloway continued to record.

In 1938, Calloway released Cab Calloway's Cat-ologue: A "Hepster's" Dictionary, the first dictionary published by an African American. It became the official jive language reference book of the New York Public Library.[29] A revised version of the volume was released with Professor Cab Calloway's Swingformation Bureau in 1939. He released the last edition, The New Cab Calloway's Hepsters Dictionary: Language of Jive, in 1944.[30] On a BBC Radio documentary about the dictionary in 2014, Poet Lemn Sissay stated, "Cab Calloway was taking ownership of language for a people who, only a few generations before, had their own languages taken abroad."[31]

Calloway's ring in the 1930s and 1940s included many notable musicians, such as Ben Webster, Illinois Jacquet, Milt Hinton, Danny Barker, Medico Cheatham, Ed Swayze, Cozy Cole, Eddie Barefield, and Dizzy Gillespie. Calloway subsequently recalled, "What I expected from my musicians was what I was selling: the right notes with precision, because I would build a whole song effectually a scat or dance pace."[18] Calloway and his band formed baseball game and basketball teams.[32] [33] They played each other while on the road, play against local semi-pro teams, and play charity games.[34] His renown every bit a talented musician was such that, in the opening scene of the 1940 musical film Strike Up the Ring, starring Mickey Rooney and Judy Garland, Rooney's character is admonished past his music teacher, "You are non Cab Calloway," subsequently playing an improvised drum riff in the middle of a band lesson.

In 1941, Calloway fired Gillespie from his orchestra afterwards an onstage fracas erupted when Calloway was hitting with spitballs. He wrongly accused Gillespie, who stabbed Calloway in the leg with a pocket-size knife.[35]

From 1941 to 1942, Calloway hosted a weekly radio quiz prove chosen The Cab Calloway Quizzicale.[36] Calling himself "Doctor" Calloway, it was a parody of The Higher of Musical Knowledge, a radio competition created by bandleader Kay Kyser.[37] During the years of World State of war 2, Calloway entertained troops in Usa before they departed overseas.[38] The Calloway Orchestra besides recorded songs total of social commentary including "Doing the Reactionary," "The Führer's Got the Jitters,"[39] "The Great Lie," "We'll Get together Lilacs," and "My Lament for V Day."[forty]

In 1943, Calloway appeared in the pic Stormy Atmospheric condition, one of the first mainstream Hollywood films with a black cast.[41] The picture show featured other top performers of the time, including Pecker "Bojangles" Robinson, Lena Horne, the Nicholas Brothers, and Fats Waller. Calloway would host Horne's graphic symbol Selina Rogers as she performed the moving-picture show's title song as role of a big all-star revue for World State of war Two soldiers.[42]

Calloway wrote a humorous pseudo-gossip column called "Coastin' with Cab" for Song Hits magazine. Information technology was a drove of celebrity snippets, such as the following in the May 1946 issue: "Benny Goodman was dining at Ciro'southward steak house in New York when a very homely girl entered. 'If her face is her fortune,' Benny quipped, 'she'd be tax-free.'" In the late 1940s, still, Calloway's bad financial decisions and his gambling acquired his band to break up.[17]

I of Cab Calloway's zoot suits on brandish in Baltimore's City Hall, October 2007

In 1953, he played the prominent role of Sportin' Life in a product of Porgy and Bess with William Warfield and Leontyne Price as the championship characters.

1956–1960: Cotton Club Revue [edit]

Calloway and his daughter Lael recorded "Little Child", an adaption of "Fiddling Boy and the One-time Man". Released on ABC-Paramount, the single charted on the Billboard Hot 100 in 1956.[43] [3]

In 1956, Clarence Robinson, who produced revues at the original Cotton Gild and the Apollo Theater, and choreographed the movie Stormy Weather condition, cast Calloway every bit the chief attraction for his project in Miami. The Cotton Club of Miami featured a troupe of 48 people, including singer Sallie Blair, George Kirby, Abbey Lincoln, and the trip the light fantastic troupe of Norma Miller. The success of the shows led to the Cotton wool Club Revue of 1957 which had stops at the Regal Nevada Hotel in Las Vegas, the Theatre Under The Sky in Central Park, Town Casino in Buffalo.

For the second season, Lee Sherman was the choreographer of The Cotton Club Revue of 1958, which starred Calloway. The revue featured tap dancing prodigies Maurice Hines and Gregory Hines.[44]

In March 1958, Calloway released his anthology Cotton Club Revue of 1958 on Gone Records. It was produced by George Goldner, conducted and bundled by Eddie Barefield. That twelvemonth, Calloway appeared in the motion picture St. Louis Dejection, the life story of Due west.C. Handy, featuring Nat King Cole and Eartha Kitt.[45]

The Cotton Society Revue of 1959 traveled to South America for engagements in Rio de Janeiro and São Paulo. They also stopped in Uruguay and Argentina before returning to Northward America which included a run on Broadway.[46] Directed by Mervyn Nelson and choreographed past Joel Nobel, this edition featured Ketty Lester, The 3 Chocolateers. The revue toured Europe in 1959 and 1960, bringing their human action to Madrid, Paris, and London.

1961–1993: Later years [edit]

Calloway remained a household name due to Idiot box appearances and occasional concerts in the Us and Europe. In 1961 and 1962, he toured with the Harlem Globetrotters, providing halftime entertainment during games.[47] [48]

Calloway was bandage as "Yeller" in the film The Cincinnati Kid (1965) with Steve McQueen, Ann-Margret, and Edward G. Robinson. Calloway appeared on The Ed Sullivan Show on March nineteen, 1967, with his daughter Chris Calloway.[49] In 1967, he co-starred with Pearl Bailey as Horace Vandergelder in an all-black cast of Hello, Dolly! on Broadway during its original run. Chris Calloway too joined the cast as Minnie Fay.[l] The new bandage revived the flagging business for the prove[51] and RCA Victor released a new cast recording, rare for the fourth dimension. In 1973–74, Calloway was featured in an unsuccessful Broadway revival of The Pajama Game with Hal Linden and Barbara McNair.

His autobiography, Of Minnie the Moocher and Me was published in 1976. It included his complete Hepster's Dictionary equally an appendix. In 1978, Calloway released a disco version of "Minnie the Moocher" on RCA which reached the Billboard R&B chart.[52] [3] Calloway was introduced to a new generation when he appeared in the 1980 film The Dejection Brothers performing "Minnie the Moocher".[ii]

In 1985, Calloway and his Orchestra appeared at The Ritz London Hotel where he was filmed for a threescore-minute BBC TV show called The Cotton Club Comes to the Ritz. Adelaide Hall, Medico Cheatham, Max Roach, and the Nicholas Brothers besides appeared on the bill.[53] [54] A operation with the Cincinnati Pops Orchestra directed past Erich Kunzel in August 1988 was recorded on video and features a classic presentation of "Minnie the Moocher", 57 years after he beginning recorded it.[55]

In January 1990, Calloway performed at the Meyerhoff Symphony Hall, with the Baltimore Symphony.[56] That year he made a cameo in Janet Jackson's music video "Alright".[2] [57] He continued to perform at Jazz festivals, including the New Orleans Jazz & Heritage Festival and Greenwood Jazz.[58] [59] In 1992, he embarked on a month-long tour of European jazz festivals.[60] He was booked to headline "The Jazz Connection: The Jewish and African-American Human relationship," at New York City's Avery Fisher Hall in 1993, but he pulled out due to a fall at home.[61]

Personal life [edit]

Marriages and children [edit]

In January 1927, Calloway had a daughter named Camay with Zelma Proctor, a fellow educatee.[62] [13] His daughter was ane of the first African-Americans to teach in a white school in Virginia.[63] Calloway married his commencement wife Wenonah "Betty" Conacher in July 1928.[62] They adopted a daughter named Constance and divorced in 1949.[64] Calloway married Zulme "Nuffie" MacNeal on October seven, 1949. They lived in Long Embankment on the South Shore of Long Island, New York, on the border with neighboring Lido Beach. In the 1950s, Calloway moved his family to Westchester Canton, New York, where he and Nuffie raised their daughters Chris Calloway (1945–2008),[65] Cecilia "Lael" Eulalia Calloway,[66] and Cabella Calloway (b. 1952).

Legal problems [edit]

In December 1945, Calloway and his friend Felix H. Payne Jr. were browbeaten by a constabulary officeholder, William E. Todd, and arrested in Kansas City, Missouri after attempting to visit bandleader Lionel Hampton at the whites-only Pla-Mor Ballroom. They were taken to the hospital for injuries, and then charged with intoxication and resisting arrest. When Hampton learned of the incident he refused to go along the concert.[67] Todd said he was informed past the manager, who did not recognize Calloway, that they were attempting to enter. He claimed they refused to leave and struck him. Calloway and Payne denied his claims and maintained they had been sober; the charges were dismissed. In February 1946, vi civil rights organizations, including the NAACP, demanded that Todd exist fired, but he had already resigned after a pay cut.[68]

In 1952, Calloway was arrested in Leesburg, Virginia on his way to the race track in Charles Town, West Virginia. He was charged with speeding and attempted bribery of a policeman.[69]

Death [edit]

On June 12, 1994, Calloway suffered a stroke at his dwelling in Westchester County, New York.[56] He died five months later from pneumonia on Nov 18, 1994, at age 86, at a nursing home in Hockessin, Delaware.[21] He was survived by his wife, five daughters, and 7 grandsons. Calloway was buried at Ferncliff Cemetery in Hartsdale, New York.[12] [2]

Legacy [edit]

Music critics have written of his influence on later generations of entertainers such as James Dark-brown, Michael Jackson, Janet Jackson, too equally modern-day hip-hop performers.[70] [1] John Landis, who directed Calloway in the 1980 film The Dejection Brothers, stated, "Cab Calloway is hip-hop."[10] Journalist Timothy White noted in Billboard (August fourteen, 1993): "No living pathfinder in American popular music or its jazz and stone 'n' roll capillaries is then frequently emulated withal so seldom acknowledged equally Cabell "Cab" Calloway. He arguably did more things offset and improve than any other band leader of his generation."[18]

In 1998, the Cab Calloway Orchestra directed by Calloway's grandson Chris "CB" Calloway Brooks was formed.[71] [72] In 2009, Large Bad Voodoo Daddy released an album covering Calloway's music titled How Big Can You Get?: The Music of Cab Calloway.[73] In 2012, Calloway's legacy was celebrated in an episode of PBS's American Masters titled "Cab Calloway: Sketches".[10] [seventy]

Calloway's boyhood dwelling in Baltimore, before its sabotage in September 2020

In 2019, plans were appear to demolish Calloway'south boyhood habitation at 2216 Druid Hill Avenue in Baltimore, replacing the abased structure and the rest of that block with a park to be named Cab Calloway Legends Park in his honor.[74] [75] Family members and the National Trust for Historic Preservation advocated preservation of the house, however, as a meaning artifact of African-American cultural heritage. Although the block is designated "historically meaning" on the National Register of Historic Places, Baltimore City officials said at a hearing on July 9, 2019, that in that location is "extensive structural damage" to the Calloway business firm equally well as adjacent ones.[76] The Commission on Historical and Architectural Preservation's executive manager, all the same, said that backdrop in worse condition than the Calloway House have been restored with financial support from a city tax credit program. Maryland Governor Larry Hogan also urged that demolition of the Calloway House be forestalled for its potential preservation every bit a historic house museum akin to the Louis Armstrong House in New York.[4] [76] Blueprint options for the planned Cab Calloway Square may include an archway from the facade (pictured) as part of the Square's entrance, as proposed past architects working with Baltimore City and the Druid Heights Community Development Corporation, a Non-Profit community oriented group.[77] Despite objections, the firm was razed on September five, 2020.[78]

Awards and honors [edit]

In 1985, Town Supervisor Anthony F. Veteran issued a proclamation, declaring a ''Cab Calloway Day'' in Greenburgh, New York.[79]

In 1990, Calloway was presented with the Beacons in Jazz Award from The New School in New York City. New York City Mayor David Dinkins proclaimed the day "Cab Calloway Day".[80]

In 1992, the Cab Calloway School of the Arts was founded in Wilmington, Delaware.

In 1994, Calloway's girl Camay Calloway Spud founded the Cab Calloway Museum at Coppin State College in Baltimore, Maryland.[81] [x]

The New York Racing Clan (NYRA) annually honors the jazz legend, a native of Rochester, N.Y., with a stakes races restricted to NY-bred three-yr-olds, as part of their New York Stallion Serial. First run in 2003, The Calloway has since undergone various distance and surface changes. The race is currently run at Saratoga Racecourse, Saratoga Springs, NY, one of America's nearly popular, premier racetracks. The Cab Calloway Stakes celebrated its 13th renewal on July 24, 2019, and was won past Rinaldi. In 2020 Calloway was inducted into the National Rhythm & Dejection Hall of Fame

Calloway received the post-obit accolades:

  • 1967: All-time Performance, Outer Critics Circumvolve Awards (Hullo, Dolly)
  • 1987: Inducted into Big Ring and Jazz Hall of Fame[82]
  • 1990: Beacons in Jazz Laurels, The New School[80]
  • 1993: National Medal of Arts[83] [5]
  • 1993: Honorary Doctorate of Fine Arts, University of Rochester
  • 1993: Cab Calloway School of the Arts dedicated in his name in Wilmington, Delaware[84]
  • 1995: Inducted into International Jazz Hall of Fame[85]
  • 1999: Grammy Hall of Fame Accolade for "Minnie the Moocher"
  • 2008: Grammy Lifetime Achievement Honor[86]
  • 2019: "Minnie the Moocher" added to the Library of Congress National Recording Registry[87]

Discography [edit]

Albums [edit]

  • 1943: Cab Calloway And His Orchestra (Brunswick)
  • 1956: Cab Calloway (Epic)
  • 1958: Cotton Club Revue 1958 (Gone Records)
  • 1959: Hullo De Hullo De Ho (RCA Victor)
  • 1962: Blues Makes Me Happy (Coral)
  • 1968: Cab Calloway '68 (Pickwick International)

Select compilations [edit]

  • 1974: Hi De Ho Man (Columbia)
  • 1983: Mr. How-do-you-do. De. Ho. 1930–1931 (MCA)
  • 1990: Cab Calloway: Best Of The Big Bands (Columbia)
  • 1992: The Male monarch Of Hi-De-Ho 1934–1947 (Giants of Jazz)
  • 1998: Jumpin' Jive (Camden)
  • 2001: Cab Calloway and His Orchestra Volume 1: The Early on Years 1930–1934 (JSP)
  • 2003: Cab Calloway & His Orchestra Volume 2: 1935–1940 (JSP)

Charting singles [edit]

Release
date 		Title Chart

positions

[88] [89] [3]

1930 "Saint Louis Blues" 16
1931 "Minnie the Moocher" 1
"Saint James Infirmary" 3
"Nobody'due south Sweetheart" thirteen
"Six or Seven Times" 14
"You Rascal, You" 17
"Kicking the Gong Around" four
"Betwixt the Devil and the Deep Blueish Sea" 15
"Trickeration" 8
1932 "Cabin in the Cotton" 17
"Strictly Cullud Thing" 11
"Minnie the Moocher'due south Wedding Mean solar day" 8
"Reefer Homo" 11
"Hot Toddy" fourteen
"I've Got the World on a String" xviii
1933 "I Gotta Right to Sing the Blues" 17
1934 "Jitter Bug" 20
"Moon Glow" 7
"Chinese Rhythm" 7
1935 "Keep That Hullo-De-Hi in Your Soul" 20
1936 "Y'all're the Cure for What Ails Me" 20
"Copper Colored Gal" xiii
1937 "Wake upwards and Live" 17
"Congo" 17
"Peckin'" eighteen
"She's Tall, She'due south Tan, She's Terrific" 17
"Moon at Sea" nineteen
"Mama, I want to Make Rhythm" 20
1938 "Every Mean solar day's a Holiday" eighteen
"Mister Toscanini, Swing for Minnie" nineteen
"F.D.R. Jones" 14
"Angels With Dirty Faces" three
1939 "The Ghost of Smokey Joe" 13
"(Hep Hep!) The Jumpin' Jive" ii
1940 "Fifteen Minute Intermission" 23
1941 "Farewell Cheerio Blues" 24
"Geechee Joe" 23
"I Encounter a Million People" 23
1942 "Blues in the Night" 8
1943 "Ogeechee River Lullaby" 18
1944 "The Moment I Laid My Optics on You lot" 28
1945 "Let'south Take the Long Fashion Home" 28
1946 "The Honeydripper" 3
(R&B)
1948 "The Calloway Boogie" 13
(R&B)
1956 "Fiddling Child" 62
1966 "History Repeats Itself" 89
1978 "Minnie the Moocher" (disco version) 91
(R&B)

Phase [edit]

Year Product Location Role Notes
1953 Porgy and Bess Ziegfeld Theatre, New York City Sportin' Life[90] [91]
1967 Hello, Dolly! St. James Theatre, New York City Horace Vandergelder Bandage replacement in November 12, 1967[92]
1973–1974 The Pajama Game Lunt-Fontanne Theatre, New York City Hines
1976–1977 Bubbles Brownish Sugar ANTA Playhouse, New York City Calloway provided music [92]
1986 Uptown...It's Hot! Lunt-Fontanne Theatre, New York City Calloway provided music [92]

Filmography [edit]

References [edit]

  1. ^ a b "Transition". Newsweek. Nov 27, 1994.
  2. ^ a b c d Litchman, Irv (December 3, 1994). "Cab Calloway Conquered Biz With Panache". Billboard. pp. 10, 105.
  3. ^ a b c d "Cab Calloway Songs ••• Top Songs / Chart Singles Discography". Music VF, US & Britain hits charts.
  4. ^ a b c d Brooks, Peter (July 26, 2019). "The case for the Calloway business firm". The Baltimore Sunday. p. eleven.
  5. ^ a b Lelyveld, Nita (Oct 4, 1993). "National Medal of Arts to Ray Charles, Cab Calloway, Arthur Miller". AP News.
  6. ^ Morgan, David (March twenty, 2019). "Jay-Z, Cyndi Lauper, "Schoolhouse Rock" added to National Recording Registry". CBS News.
  7. ^ "Cab Calloway, timeless top-flight musician and singer – African American Registry". African American Registry . Retrieved October 19, 2018.
  8. ^ Shipton, Alyn. Howdy-De-Ho: The Life of Cab Calloway. Oxford University Press, 2010.
  9. ^ Lincoln University of Pennsylvania Alumni Directory 1995. Harris Publishing Co. 1995, p. 142.
  10. ^ a b c d e Zurawik, David (February 27, 2012). "PBS treats Baltimore's Cab Calloway every bit an American Master". The Baltimore Sun. Baltimore Sun Media Group. Retrieved September 21, 2017.
  11. ^ a b c d Hildebrand, David 1000.; Schaaf, Elizabeth Thou. (2017). Musical Maryland: A History of Vocal and Performance from the Colonial Period to the Age of Radio. JHU Press. pp. 137–138. ISBN978-one-4214-2240-4.
  12. ^ a b "Big Band leader Calloway dies at 86". UPI. November 19, 1994.
  13. ^ a b c d due east Gates (Jr.), Henry Louis; Higginbotham, Evelyn Brooks (2009). Harlem Renaissance Lives from the African American National Biography. Oxford University Press. p. 98. ISBN978-0-nineteen-538795-7.
  14. ^ Smith, Linell; Rasmussen, Fred (November 20, 1994). "Cab Calloway'due south memoirs tell story of growing up in a segregated Baltimore". The Baltimore Sun . Retrieved September 21, 2017.
  15. ^ "Alumni". The Celebrated Frederick Douglass High School. Baltimore County Public School. Archived from the original on September 21, 2017. Retrieved September 21, 2017.
  16. ^ Lloyd, Robin (February 25, 2021). "Black History Month: The Assuming Blanche Calloway". world wide web.knkx.org . Retrieved March 26, 2021.
  17. ^ a b Ossman, David. "Cab Calloway: 'A Howdy De Ho Centennial'". NPR.org . Retrieved June 16, 2021.
  18. ^ a b c d "Catchin' Cab: The Magic of Calloway". Billboard. August 14, 1993. p. 3.
  19. ^ McClellan, Lawrence (2004). The Afterward Swing Era, 1942 to 1955. Greenwood Publishing Group. p. 90. ISBN978-0-313-30157-5.
  20. ^ "How the Rotoscope and Cab Calloway Changed the Way Animated Characters Motion". Laughing Squid. December 4, 2019.
  21. ^ a b Wilson, John S. (November twenty, 1994). "Cab Calloway Is Dead at 86; 'Hi-de-hi-de-ho' Jazz Homo". The New York Times . Retrieved July vi, 2019.
  22. ^ DiLorenzo, Kris (April 1985). "The Arts. Dance: Michael Jackson did not invent the Moonwalk". The Crisis. 92 (4): 143. ISSN 0011-1422. Shoot ... We did that dorsum in the 1930s! Only it was chosen The Buzz back and so.
  23. ^ "Works of Cab Calloway, Jazz Artist". Retrieved January 22, 2013.
  24. ^ Bracks, Lean'tin L.; Smith, Jessie Carney (2014). Black Women of the Harlem Renaissance Era. Rowman & Littlefield. p. 234. ISBN978-0-8108-8543-1.
  25. ^ Lefkovitz, Aaron (2017). Transnational Cinematic and Pop Music Icons: Lena Horne, Dorothy Dandridge, and Queen Latifah, 1917–2017. Lexington Books. p. 5. ISBN978-1-4985-5576-0.
  26. ^ Shipton, Alyn. Hi-de-Ho: The Life of Cab Calloway, Oxford University Press (2010), p. 97.
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Further reading [edit]

  • Calloway, Cab and Rollins, Bryant (1976). Of Minnie the Moocher and Me. Thomas Y. Crowell Company. ISBN 9780690010329

External links [edit]

  • Cab Calloway School of the Arts official website
  • NAMM Oral History Interview (1993)
  • Cab Calloway at IMDb
  • CALLOWAY, Cab (CHASE-FATIO Eleanor). Lugano: Swiss National Sound Athenaeum.

Media related to Cab Calloway at Wikimedia Commons

castillosirstion66.blogspot.com

Source: https://en.wikipedia.org/wiki/Cab_Calloway

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